News November 21, 2024 The Studio of Antonio López and María Moreno launches the Virtual Tour his latest monographic show. The Studio of Antonio López and María Moreno presents a virtual tour of his latest exhibition in the Netherlands. This virtual tour has been developed with The Mad Pixel, a Madrid-based company that has worked with museums in Spain and Europe. Thanks to this collaboration, visitors can tour the exhibition in super-high resolution, exploring the space and appreciating every detail with exceptional clarity. The technology allows for powerful zooms, viewing the works at a magnification and detail rarely accessible. The experience also includes a welcome tour with an explanatory audio track in Spanish and English, with accessible subtitles, accompanied by a visual summary of the exhibition, offering a complete and enriching immersion from anywhere in the world. Don't miss the opportunity to explore this unique exhibition in its digital format by clicking here ! March 15, 2024 Opening of the Museum of Contemporary Spanish Realism (MUREC) On March 15, the MUREC, a museum dedicated to contemporary Spanish realist art, was inaugurated. His works, among which there are paintings, sculptures, drawings and engravings, cover the panorama of this artistic style in Spain from the beginning of the 20th century to the present. One of the fundamental nuclei is the work of the Realists of Madrid, among which there are several paintings and drawings by María Moreno, presented together with the works of her colleagues and friends: Antonio López, Isabel Quintanilla, Francisco López, Amalia Avia, Julio López and Esperanza Parada. This project is located in the Hospital de Santa María Magdalena in Almería capital, a 16th-century building restored for the occasion. For more information about opening hours and visits to the institution, visit the museum's website here . You can see images of some rooms of the museum on Antonio López's website here . September 12, 2024 New exhibition in Burgos dedicated to Spanish Realism: Infinite Reality The Círculo Burgos Foundation and the Ibercaja bank have organised an exhibition to pay tribute to Spanish realism, which began to develop in the 1950s and 1960s. The Pedro Torrecilla exhibition hall in Burgos houses 47 works by ten artists: Amalia Avia, Julio López, Isabel Quintanilla, Francisco López, Jorge Hernández, Esperanza Parada, Cristóbal Toral, Carmen Laffón, Antonio López and María Moreno. It can be visited free of charge between 13 September and 10 November 2024. For more information, click here . November 29, 203 to March 31, 2024 Exhibition "Antonio López and the Masters of Spanish Realism" in Shanghai On November 29, 2023, the exhibition "Antonio López and the Masters of Spanish Realism" was inaugurated at the Middle Longhua metro station in Shanghai. It presents 46 reproductions of works by Antonio López, Miguel Ángel Argüello, Amalia Avia, Francisco López, José María Mezquita, Isabel Quintanilla, Julio Vaquero and María Moreno, of whom eight works are included. The Chinese public will have the chance to learn about the evolution of contemporary figurative art in Spain from some of its best representatives. This exhibition is co-organized by the Cervantes Institute, the Spanish Embassy in China and the Spanish Agency for International Development Cooperation, with the collaboration of Turespaña, the advice of the Thyssen-Bornemisza National Museum of Madrid and the Antonio López and María Moreno Studio . For more information, click here . April 12, 2024 Inauguration of the exhibition Beyond Realism. Figurative art from China and Spain In honour of 50 years of bilateral relations between China and Spain, the Royal Palace of Madrid has opened an exhibition that will run until May 26, 2024. It is an exhibition of figurative works by 99 contemporary Chinese and Spanish artists called "Beyond Realism. Figurative art from China and Spain." The exhibition offers an overview of figurative art, not simply realism, practised in both countries over the last fifty years. The exhibition opens with a selection of paintings and drawings by Antonio López, Isabel Quintanilla, Francisco López, María Moreno, Julio López, Amalia Avia, Isabel Baquedano and Carmen Laffón. More information on the National Heritage website by clicking here . March 23 to April 10, 2023 Exhibition of Antonio López at the Modelo prison, with works by María Moreno For only three weeks, you can visit an exhibition of Antonio López in a unique location: the Modelo prison in Barcelona. A small selection of his works occupies several cells in gallery 5 of this former prison, now converted into a cultural centre. In one of these cells, it is displayed a selection of children's heads made by the artist, including four by María Moreno. In them, she represented two of her grandchildren. This exhibition arises in the context of Antonio's collaboration with El Liceu for the concert of Franz Schubert's Winterreise in the same prison. This recital, which will only have three performances, is accompanied by a video in which, under the stage direction of Bárbara Lluch, images of works by Antonio López have been used. For more information, visit the Liceu website: here . You can see images of the exhibition on Antonio López's website: here .

Tribute to María Moreno in the Art Gallery Against Oblivion in Boadilla de Rioseco

Chrono-biography Bio Contact Chronobiography Cronology Maria Moreno This video narrates in images the personal and artistic life of María Moreno. María Moreno Play Video Facebook Twitter Pinterest Tumblr Copy Link Link Copied Chrono-biography Born in Madrid in 1933 Born in Madrid in 1933 Began her Fine Art studies in 1954 Although she spent some years in Valencia during her childhood, coinciding with the Civil War, which brought her in touch with a world of light and joy, thanks to hercontact with nature and the sea that caused an indelible mark on her. During her teens she was an avid reader and frequented museums in the capital. After spending some time at the School of Arts and Crafts in Madrid, she passed the entrance exam to the School of Fine Arts of San Fernando, where she studied painting. Fine Art Studies 1957 In the summer of 1957, coinciding with her training, María travels to Paris to satisfy her artistic curiosity, visiting museums and seeing paintings. It will be precisely where she will make her self-portrait. During the years 1958 and 1960 she taught drawing classes 1959 At the beginning of her career, she dedicates herself to teaching, before even concluding her studies in Fine Arts, teaching drawing classes. Task that began in the Institute Filial of Isabel the Catholic of Madrid, where taught between 1958 and 1960. In the environment of the San Fernando School she gets to know or deepens the friendship with several students of Fine Arts who later became artists with important careers: Isabel Quintanilla, Esperanza Parada, Julio López, Francisco López, Lucio Muñoz, Enrique Gran, Joaquín Ramo and Antonio López. She will finish her studies in 1959. The end of the Studies Marries the artist Antonio López 1961 With him she will have two daughters, María and Carmen. They will be partners of life and trade, assuming great mutual support in the development of their careers. 1966 Her first solo exhibition took place at the Edurne Gallery It shows a set of intimate works, in which she represents spaces of her environment, which is dominated by gloomy and collected interiors. First Solo Exhibition Returned to teaching 1966-69 Between 1966 and 1969, she returned to teach at two institutions of Alcala de Henares: the National Institute for Media Education and Labor University. She combined this work with her own artistic production. The influence of Antonio López Torres The painter Antonio López Torres (1902-1987), uncle of her husband, had a great impact on the work of María Moreno; both in her openness to light and in the change of her palette to warmer and clearer colors. With him they had continued contact since the sixties, both her husband and her, as well as the marriage of artists formed by Isabel Quintanilla and Francisco López. In the sixties disclosed her work at the national level Con Antonio López Torres ©Foto Moses During the sixties, when art galleries proliferate in Spain, it is when she begins to exhibit her work, which she previously kept for herself. In 1966 she showed her work in two Madrid venues: Juana Mordó and Edurne galleries, where she had her already mentioned first solo exhibition. 70s Her work is filled with light In 1973 she exhibited individually for the second time 1973 Her work was exhibited and sold during the seventies in several European countries, mainly in Germany, but also in France, the United Kingdom and Finland; as well as in the United States. María exhibited alone again, but this time outside Spain, in Frankfurt, when she was invited by the gallery owner Herbert Meyer-Ellinger, who had already exhibited the realists and thanks to the interest that the work and criticism had aroused among the German public and critics. of the so-called Realistas de Madrid. María Moreno en los lugares que le inspiraron Participate in numerous group exhibitions in Spain since the 80s 1980 Her works are filled with light Since the early eighties, her work has been shown in several collective exhibitions, several of which dealt with realist art and some of the art made by women, such as Women in Spanish Art (1900-1984), organized at the Center Cultural Count Duke of Madrid. Executive producer of The Quince Tree Sun 1990-92 María is in charge of the executive production of Víctor Erice's film, El sol del membrillo, which portrays the creative process of Antonio López and in which María Moreno herself appears as one of the main characters. This film will win the prizes of the jury and critic of the Festival of Cannes of 1992, as well as other distinctions of several international festivals like the one of Chicago and the one of Uruguay. From the late seventies her palette begins to clear and open to the light, gaining great prominence in her works. 1990 She presents her work in an individual exhibition at the Claude Bernard Gallery The 90s represent her consolidation as an artist, thanks to her taking part in numerous group shows and, especially, for her solo show at the Galerie Claude Bernard in Paris, which is committed to her work and thus expands its international support. Otra realidad, Compañeros en Madrid exhibition, 1992 Among the exhibitions of which she took part, it highlights the travelling show Otra realidad, Compañeros en Madrid, which started in January 1992 at the Caja Madrid Foundation in the capital; since it served to place the group of figurative and abstract artists who met at the School of Fine Arts of San Fernando in the fifties and who were joined by bonds of friendship. This group was composed of Isabel Quintanilla, Julio and Francisco López Hernández, Esperanza Parada, Enrique Gran, Lucio Muñoz, Joaquín Ramo, Antonio López and María Moreno. 90s During that decade she participated in important exhibitions both nationally and internationally that will give greater visibility to the realistic figurative art she practiced together with other friends: Otra Realidad, Compañeros en Madrid, Fundación Caja Madrid (1992); Contemporary Spanish Artists, Marlborough Fine Art, Tokyo (1992); From the Reality / Dalla Realtà - Quatro Artisti Spagnoli Contemporanei. Antonio López, Isabel Quintanilla, María Moreno, Francisco López, Accademia Spagnola di Storia, Archeologia e Belle Arti, Rome (1996); Contemporary Spanish Realists, Marlborough Fine Art, London (1996); Autour de la réalité: réalismes espagnols, Galerie Lina Davidov, Paris (1996). 2000s She continues to participate in collective exhibitions, having special relevance those that take place from 2005 and that highlight her work together with that of her realistic companions, such as Pinceladas de Realidad. Amalia Avia, María Moreno, Isabel Quintanilla (2005), Museum of Fine Arts of La Coruña. As well as others that delved into the group of realists in all its extension as Realidad, arte spagnola della realtà , Galleria Civica di Palazzo Loffredo, Potenza (2006-2007). Teaches workshops She takes up teaching and teaches some courses, such as the "Francisco de Goya Chair" at the Los Serrano Palace in Ávila. 2016 Realistas de Madrid was inaugurated in 2016, a show organized by the Thyssen-Bornemisza Museum in Madrid that has revived the interest in the work of the group of friends and colleagues who since the fifties of the last century have dedicated themselves to figurative art: Esperanza Parada , Amalia Avia, Julio and Francisco López, Isabel Quintanilla, María Moreno and Antonio López. 2020 She died on 17 February 2020 in Madrid at age 86. On the occasion of what would have been his 87th birthday, this video was made in his memory, as a small tribute. Bio BIO María Moreno (Madrid,1933-2020) From a young age, she felt a strong sense of vocation for the arts and an interest in literature and music, which provided her with a rich inner world. She trained at the School of Fine Arts of San Fernando in Madrid, which she entered in 1954 to study Fine Arts, specializing in painting. This period marked her for life, not only professionally but also personally. There she met her friends and fellow artists Antonio López, Isabel Quintanilla, Amalia Avia, Julio and Francisco Hernandez López and Lucio Muñoz (who soon shifted from figuration to abstraction, although he never abandoned the bond with the group). The work of these artists has been labelled with different names: Madrilenian realism, Madrilenian figuration, or Realists artists of Madrid, among others. María Moreno married Antonio López in 1961 and began a long creative career. Although both have sometimes felt an interest in the same motifs, which they have approached from closeness and observation of reality, working from nature, each of them has developed their work individually, achieving their own style and vision. Since the seventies of the last century, the work of María Moreno began to be exhibited and became part of several international collections. The exhibitions held since in Germany and the UK dedicated to the group of artists who devoted themselves to the New Figuration in Madrid at the time had a great impact. Her solo exhibitions have been less numerous but have had a major impact on the knowledge of her work by national and international collectors. In 1973 she exhibited at the gallery of Herbert Meyer-Ellinger in Frankfurt, who also organized several relevant shows dedicated to the Spanish realism practiced by María and some of her colleagues. In 1990, the Parisian gallery owner Claude Bernard convinced the painter to exhibit in his gallery almost all the paintings and drawings made during those years; achieving a brilliant exhibition with which it obtained an important recognition. In recent years, her work has been part of several group shows, being especially significant the one held in 1992 at the Royal Academy of Madrid, Otra realidad. Compañeros en Madrid (Another Reality. Partners in Madrid), as well as the recent Realistas de Madrid (Realists of Madrid) held at the Thyssen-Bornemisza Museum (February-May 2016). The first was key in the understanding of the Madrilenian figuration that emerged in the fifties within the context of the art that was done by other contemporaries and colleagues; while the latter has offered the opportunity to put the work of these artists into perspective after having developed lengthy careers. The subjects of her works, which are always intimately linked to her and her living space, encompass landscapes, in which Madrid has a prominent place, but also of La Mancha; portraits of people from her environment from her first years; interiors, which have been present since the beginning of her career; a few still lifes; gardens and flowers, for which she developed a special predilection from the nineties. In addition to numerous private collections, her work is held by the following public collections: Fundació Sorigué, Lérida; Artium, Vitoria; Museum of Contemporary Art of Toledo; Iberdrola Collection, Bilbao; Colección BBVA, Madrid; Kupferstichkabinett, Kunsthalle, Hamburg. She died on February 17, 2020 in Madrid at age 86. BHC Contact CONTACT Email : estudioantoniolopez@gmail.com NOTICE : This is an email of the studio team for professional purposes, only for technical and work issues.

DIGIGRAPHIES AFTER WORKS BY MARÍA MORENO The María Moreno Studio has edited 4 digital prints after the artist's work in December 2020. All these works, of limited edition, are numbered and are accompanied by a certificate. Tomelloso Garden, 2020, digigraph, 61 x 78,5 cm Digital printing of the drawing by María Moreno, "Jardín de Tomelloso" Levante Street, 2020, digigraph, 53 x 61 cm Digital printing of the painting by María Moreno, "Calle Levante" Quince Trees in Záncara River, 2020, digigraph, 61 x 78,5 cm Digital printing of the drawing by María Moreno, "Membrilleros en Río Záncara" Pansies with sunshine, 2020, digigraph, 45 x 46 cm Digital printing of María Moreno's painting, "Pensamientos con sol" Antonio López and Francisco Fernández from UM Photography watching the proofs of Calle Levante next to the painting by María Moreno "Pansies with sunshine" and "Levante Street" prints' proofs Proofs of the Digital printings; "Quince trees in Río Záncara" and "Tomelloso Garden" Comparing sizes of the proofs of "Pansies with sunshine" Printing "Tomelloso Garden" in the stamping workshop Proofs and prints of the works of María Moreno in UM Some prints of works of María Moreno in the UM workshop In the UM print shop Prints of works of Maria Moreno 1/13

News September 20, 2018 Inauguration of the exhibition Sequences of Reality On September 20th an exhibition devoted to contemporary figurative painting will be inaugurated at the Da2 center in Salamanca, where several works by María Moreno will be on display until the end of December. December 7, 2017 Screening of the documentary about María Moreno, La luz de Antonio On December 7th at 6:30 pm, the documentary about María Moreno, La luz de Antonio, will be screened at the Cervantes Institute in Prague as part of the series of documentaries scheduled on the occasion the exhibition The Poetics of Abstraction and the figuration, which can be visited in this institution until next February 10th. March 8, 2017 The Thyssen-Bornemisza Museum Screens the Documentary La luz de Antonio On the occasion of "Women's Day", the documentaries on two of the most important figurative painters of contemporary Spanish art, María Moreno and Amalia Avia, will be shown at the Museo Thyssen-Bornemisza in Madrid.

Chrono-biography Bio Contact HOME 1 HOME 2 Chronology Chrono-biography Maria Moreno This video narrates in images the personal and artistic life of María Moreno. María Moreno Play Video Facebook Twitter Pinterest Tumblr Copy Link Link Copied Chrono-biography She was born in Madrid in 1933 Born in Madrid in 1933 Although she spent some years in Valencia during her childhood, coinciding with the Civil War, which brought her in touch with a world of light and joy, thanks to hercontact with nature and the sea that caused an indelible mark on her. During her teens she was an avid reader and frequented museums in the capital. She began her studies in Fine Arts in 1954 After spending some time at the School of Arts and Crafts in Madrid, she passed the entrance exam to the School of Fine Arts of San Fernando, where she studied painting. Fine Arts Studies 1957 In the summer of 1957, coinciding with her training, María travels to Paris to satisfy her artistic curiosity, visiting museums and seeing paintings. It will be precisely where she will make her self-portrait. During the years 1958 and 1960 she taught drawing classes 1959 The end of her studies In the environment of the San Fernando School she gets to know or deepens the friendship with several students of Fine Arts who later became artists with important careers: Isabel Quintanilla, Esperanza Parada, Julio López, Francisco López, Lucio Muñoz, Enrique Gran, Joaquín Ramo and Antonio López. She will finish her studies in 1959. At the beginning of her career, she dedicates herself to teaching, before even concluding her studies in Fine Arts, teaching drawing classes. Task that began in the Institute Filial of Isabel the Catholic of Madrid, where taught between 1958 and 1960. 1961 Marries the artist Antonio López With him she will have two daughters, María and Carmen. They will be partners of life and trade, assuming great mutual support in the development of their careers. 1966 Her first solo exhibition took place at the Edurne Gallery First solo exhibition She returned to teaching 1966-69 Between 1966 and 1969, she returned to teach at two institutions of Alcala de Henares: the National Institute for Media Education and Labor University. She combined this work with her own artistic production. It shows a set of intimate works, in which she represents spaces of her environment, which is dominated by gloomy and collected interiors. In the sixties disclosed her work at the national level Influence of Antonio López Torres The influence of Antonio López Torres During the sixties, when art galleries proliferate in Spain, it is when she begins to exhibit her work, which she previously kept for herself. In 1966 she showed her work in two Madrid venues: Juana Mordó and Edurne galleries, where she had her already mentioned first solo exhibition. The painter Antonio López Torres (1902-1987), uncle of her husband, had a great impact on the work of María Moreno; both in her openness to light and in the change of her palette to warmer and clearer colors. With him they had continued contact since the sixties, both her husband and her, as well as the marriage of artists formed by Isabel Quintanilla and Francisco López. In 1973 she exhibited individually for the second time 1973 With Antonio López Torres in 1973 ©E.Moses María exhibited alone again, but this time outside Spain, in Frankfurt, when she was invited by the gallery owner Herbert Meyer-Ellinger, who had already exhibited the realists and thanks to the interest that the work and criticism had aroused among the German public and critics. of the so-called Realistas de Madrid. 70s Her work becomes international María Moreno en los lugares que le inspiraron Her work was exhibited and sold during the seventies in several European countries, mainly in Germany, but also in France, the United Kingdom and Finland; as well as in the United States. Participate in numerous group exhibitions in Spain since the 80s 1980 Late 70s Her work is filled with light Since the early eighties, her work has been shown in several collective exhibitions, several of which dealt with realist art and some of the art made by women, such as Women in Spanish Art (1900-1984), organized at the Center Cultural Count Duke of Madrid. From the late seventies her palette begins to clear and open to the light, gaining great prominence in her works. Executive producer of The Quince Tree Sun 1990-92 1990 She presents her work in an individual exhibition at the Claude Bernard Gallery The 90s represent her consolidation as an artist, thanks to her taking part in numerous group shows and, especially, for her solo show at the Galerie Claude Bernard in Paris, which is committed to her work and thus expands its international support. María is in charge of the executive production of Víctor Erice's film, El sol del membrillo, which portrays the creative process of Antonio López and in which María Moreno herself appears as one of the main characters. This film will win the prizes of the jury and critic of the Festival of Cannes of 1992, as well as other distinctions of several international festivals like the one of Chicago and the one of Uruguay. 90s Otra realidad, Compañeros en Madrid exhibition, 1992 Among the exhibitions of which she took part, it highlights the travelling show Otra realidad, Compañeros en Madrid, which started in January 1992 at the Caja Madrid Foundation in the capital; since it served to place the group of figurative and abstract artists who met at the School of Fine Arts of San Fernando in the fifties and who were joined by bonds of friendship. This group was composed of Isabel Quintanilla, Julio and Francisco López Hernández, Esperanza Parada, Enrique Gran, Lucio Muñoz, Joaquín Ramo, Antonio López and María Moreno. During that decade she participated in important exhibitions both nationally and internationally that will give greater visibility to the realistic figurative art she practiced together with other friends: Otra Realidad, Compañeros en Madrid, Fundación Caja Madrid (1992); Contemporary Spanish Artists, Marlborough Fine Art, Tokyo (1992); From the Reality / Dalla Realtà - Quatro Artisti Spagnoli Contemporanei. Antonio López, Isabel Quintanilla, María Moreno, Francisco López, Accademia Spagnola di Storia, Archeologia e Belle Arti, Rome (1996); Contemporary Spanish Realists, Marlborough Fine Art, London (1996); Autour de la réalité: réalismes espagnols, Galerie Lina Davidov, Paris (1996). 2000s She continues to participate in collective exhibitions, having special relevance those that take place from 2005 and that highlight her work together with that of her realistic companions, such as Pinceladas de Realidad. Amalia Avia, María Moreno, Isabel Quintanilla (2005), Museum of Fine Arts of La Coruña. As well as others that delved into the group of realists in all its extension as Realidad, arte spagnola della realtà , Galleria Civica di Palazzo Loffredo, Potenza (2006-2007). She teaches workshops She takes up teaching and teaches some courses, such as the "Francisco de Goya Chair" at the Los Serrano Palace in Ávila. 2016 Realistas de Madrid was inaugurated in 2016, a show organized by the Thyssen-Bornemisza Museum in Madrid that has revived the interest in the work of the group of friends and colleagues who since the fifties of the last century have dedicated themselves to figurative art: Esperanza Parada , Amalia Avia, Julio and Francisco López, Isabel Quintanilla, María Moreno and Antonio López. Bio BIO María Moreno, Madrid-1933 From a young age, she felt a strong sense of vocation for the arts and a passion for literature, which provided her with a rich inner world. She trained at the School of Fine Arts of San Fernando in Madrid, which she entered in 1954 to study Fine Arts, specializing in painting. This period marked her for life, not only professionally but also personally. There she met her friends and fellow artists Antonio López García, Isabel Quintanilla, Amalia Avia, Julio and Francisco Hernandez López and Lucio Muñoz (who soon shifted from figuration to abstraction, although he never abandoned the bond with the group). The work of these artists has been labelled with different names: Madrilenian realism, Madrilenian figuration, hyperrealism, or School of Madrid, among others. Precisely one of her colleagues, Antonio López, became his life and creative partner. Although both have been interested in the same motifs, which they have approached from their fondness for reality, each of them has developed their work individually, thus acquiring their own style and vision. Since the seventies of the last century, the work of María Moreno began to be exhibited and became part of several international collections. The exhibitions held since in Germany and the UK dedicated to the group of artists who devoted themselves to the New Figuration in Madrid at the time had a great impact. Her solo exhibitions have been less numerous, but have had a major impact on the knowledge of her work by national and international collectors. In 1973 she exhibited at the gallery of Ernst Wuthenow in Frankfurt, who also organized several relevant shows dedicated to the Spanish realism practiced by María and some of her colleagues. In 1990, the Parisian gallery owner Claude Bernard convinced the painter to exhibit in his gallery despite her reservations; this exhibition garnered rave reviews from audiences and critics. In recent years, her work has been part of several group shows, being especially significant the one held in 1991 at the Royal Academy of Madrid, Otra realidad. Compañeros en Madrid (Another Reality. Partners in Madrid), as well as the recent Realistas de Madrid (Realists of Madrid) held at the Thyssen-Bornemisza Museum (February-May 2016). The first was key in the understanding of the Madrilenian figuration that emerged in the fifties within the context of the art that was done by other contemporaries and colleagues; while the latter has offered the opportunity to put the work of these artists into perspective after having developed lengthy careers. The subjects of her works, which are always intimately linked to her, encompass landscapes, in which Madrid has a prominent place, but also of La Mancha; portraits of people from her environment from her first years; interiors, which have been present since the beginning of her career; a few still lifes; gardens and many flowers, for which she developed a special predilection from the nineties. In addition to numerous private collections, her work is held by the following public collections: Fundació Sorigué, Lérida; Artium, Vitoria; Museum of Contemporary Art of Toledo; Iberdrola Collection, Bilbao; Kupferstichkabinett, Kunsthalle, Hamburg. Beatriz Hidalgo Caldas Contact CONTACT Email: estudioantoniolopez@gmail.com . NOTICE: This is not a personal email from Mrs. María Moreno, but from the study team, only for technical and work issues.

CONTACT Email : estudioantoniolopez@gmail.com NOTICE : This is not the personal email of Ms. María Moreno, but of the studio's team for work-related purposes. Or use the form Send Thank you for your email

This website and the images of the works of Antonio López and María Moreno included therein are owned by their respective authors. Reproduction, distribution, public communication, making available to the public, transformation or any other act of exploitation of this website and its images, as well as the inclusion of hyperlinks to the website, if they are not limited solely to access to its main page, are strictly forbidden. For the reproduction, distribution, public communication, making them available to the public or any other act of exploitation of the works of Antonio López or of María Moreno it is necessary to address previously to the Visual Entity of Management of Plastic Artists, VEGAP (www .vegap.es) to obtain the required license This website only collects data to analyze the use of our website by visitors. This website uses Google Analytics, a web analysis service provided by Google Inc., located in Delaware at 1600 Amphitheater Parkway, Mountain View (California), CA 94043, United States. The information generated by the cookie about your use of the website (including your IP address) will be directly transmitted and stored by Google on its servers in the United States. Google will use this information on our behalf for the purpose of knowing your use of the website, compiling reports on the activity and providing other services related to the activity of the web and the use of the Internet. Google may transmit such information to third parties when permitted by law, or when such third parties process the information on behalf of Google. Google will not associate your IP address with any other data held by Google. By using this website you consent to the processing of information by Google in the manner and for the purposes indicated above. By clicking "ACEPTO", you accept the use of these cookies, unless you decide to deactivate them. Please note that if you delete or disable our cookies you may experience interruptions or limitations in the functionality of certain areas of the website. I Agree

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Access to the website of RTVE to watch La luz de Antonio , the documentary devoted to María Moreno and her work by the Spanish TV program Crónicas in June 2015, by clicking here.

This website and the images of the works of Antonio López and María Moreno included therein are owned by their respective authors. Reproduction, distribution, public communication, making available to the public, transformation or any other act of exploitation of this website and its images, as well as the inclusion of hyperlinks to the website, if they are not limited solely to access to its main page , are strictly forbidden. For the reproduction, distribution, public communication, making them available to the public or any other act of exploitation of the works of Antonio López or of María Moreno it is necessary to address previously to the Visual Entity of Management of Plastic Artists, VEGAP (www .vegap.es) to obtain the required license . This website only collects data to analyze the use of our website by visitors. This website uses Google Analytics, a web analysis service provided by Google Inc., located in Delaware at 1600 Amphitheater Parkway, Mountain View (California), CA 94043, United States. The information generated by the cookie about your use of the website (including your IP address) will be directly transmitted and stored by Google on its servers in the United States. Google will use this information on our behalf for the purpose of knowing your use of the website, compiling reports on the activity and providing other services related to the activity of the web and the use of the Internet. Google may transmit such information to third parties when permitted by law, or when such third parties process the information on behalf of Google. Google will not associate your IP address with any other data held by Google. By using this website you consent to the processing of information by Google in the manner and for the purposes indicated above. By clicking "I ACCEPT", you accept the use of these cookies, unless you decide to deactivate them. Please note that if you delete or disable our cookies you may experience interruptions or limitations in the functionality of certain areas of the website. I Agree

Links to articles about the work of María AGUIRRE, Begoña. “10 artistas contemporáneos exponen su concepto de ‘realismo’ en la Casa del Monte.” El País , 10 January 1992. ARMADA, Alfonso. “La última pincelada. Nueve pintores ante el momento de terminar un cuadro.” El País , 30 December 1986. BONET, J. M., “María Moreno, se apaga la pintora de la luz y faro de Antonio López”, ABC, 18 February 2020. CAMPOY, A. M. “Arte y artistas. Crítica de exposiciones. María Moreno.” ABC , 3 May 1966: 16. CATALÁN DEUS, José “Estimados realistas de Madrid.” Periodistadigital.com, 8 February 2016. CELDRÁN, Helena. “El Museo Thyssen homenajea a Antonio López y a su círculo en 'Realistas en Madrid'.” 20 minutos , 7 February 2016. FERNÁNDEZ-BRASO, M. “El realismo evocador de María Moreno.” ABC, 13 July 1974: 53-54. FERNÁNDEZ RUBIO, Andrés. “Antonio López y sus compañeros llevan a Roma el ‘realismo madrileño’.” El País , 1 May 1996. GARCÍA, Ángeles. “El realismo madrileño se consagra en el Thyssen.” El País , 4 February 2016: 26. GRANDA, Fernando. “La luz invisible de Antonio López.” La Nueva España , 22 September 2015. J.R. “Figuras y figuraciones.” El ABC de las Artes , 9 May 1985: 105. LUZÁN, Julia. “Mujeres realistas." El País, 3 July 2005. MORENO, María. “La luz de Antonio.” RTVE Website , 8 June 2015. PAJARES, Gema. “No imaginaba que Mari tuviera ese don para pintar.” La Razón , 6 September 2015. PARREÑO, José María. “Retrato al natural de los últimos realistas.” El Cultural , Supplement to El Mundo , 29 enero 2016: 22-25. PULIDO, Natividad. “Artistas, amigos, familiares y residentes.” ABC, 4 February 2016: 52-53. “Realistas de Madrid, invierno en el Thyssen.” Hoyesarte.com , 26 October 2015. RONDÓN, José María. “María Moreno, a la sombra del genio Antonio López.” El Mundo , 19 October 2011. RTVE, "Muere la pintora María Moreno a los 87 años", 17 February 2020. TEJEDOR, Concha. “Un documental recupera a la pintora María Moreno, la “luz” de Antonio López." EFE , 4 September 2015. TRENAS, Mila. “Genialidad, amistad y amor al arte unen a los "Realistas de Madrid." La Vanguardia , 3 February 2016. VALCÁRCEL, Marina “El realismo o el eterno presente.” ABC Cultural, no. 1226, 19 March 2016: 22-23. This is just a selection of a few articles devoted to María Moreno and her work.