Links to articles about the painter María Moreno. Links to articles about the work of María AGUIRRE, Begoña. “10 artistas contemporáneos exponen su concepto de ‘realismo’ en la Casa del Monte.” El País , 10 January 1992. ARMADA, Alfonso. “La última pincelada. Nueve pintores ante el momento de terminar un cuadro.” El País , 30 December 1986. BONET, J. M., “María Moreno, se apaga la pintora de la luz y faro de Antonio López”, ABC, 18 February 2020. CAMPOY, A. M. “Arte y artistas. Crítica de exposiciones. María Moreno.” ABC , 3 May 1966: 16. CATALÁN DEUS, José “Estimados realistas de Madrid.” Periodistadigital.com, 8 February 2016. CELDRÁN, Helena. “El Museo Thyssen homenajea a Antonio López y a su círculo en 'Realistas en Madrid'.” 20 minutos , 7 February 2016. DE LA PEÑA FERNÁNDEZ-NESPRAL, María. “María Moreno, con luz propia,” in XL Semanal , n. 2022, 26 July-1 August 2026, pp. 32-38 & online. FERNÁNDEZ-BRASO, M. “El realismo evocador de María Moreno.” ABC, 13 July 1974: 53-54. FERNÁNDEZ RUBIO, Andrés. “Antonio López y sus compañeros llevan a Roma el ‘realismo madrileño’.” El País , 1 May 1996. GARCÍA, Ángeles. “El realismo madrileño se consagra en el Thyssen.” El País , 4 February 2016: 26. GRANDA, Fernando. “La luz invisible de Antonio López.” La Nueva España , 22 September 2015. J.R. “Figuras y figuraciones.” El ABC de las Artes , 9 May 1985: 105. LUZÁN, Julia. “Mujeres realistas." El País, 3 July 2005. MORENO, María. “La luz de Antonio.” RTVE Website , 8 June 2015. PAJARES, Gema. “No imaginaba que Mari tuviera ese don para pintar.” La Razón , 6 September 2015. PALMERO, Fernando. "María Moreno, la desconocida pintora que enamoró a Antonio López", El Mundo, 14 June 2026. PARREÑO, José María. “Retrato al natural de los últimos realistas.” El Cultural , Supplement to El Mundo , 29 January 2016: 22-25. PRIMO, Carlos. “En busca de María Moreno, la maestra olvidada del realismo español,” in ICON Design, rSupplement to El País , 13 August 2026, online and on paper. PULIDO, Natividad. “Artistas, amigos, familiares y residentes.” ABC, 4 February 2016: 52-53. “Realistas de Madrid, invierno en el Thyssen.” Hoyesarte.com , 26 October 2015. RONDÓN, José María. “María Moreno, a la sombra del genio Antonio López.” El Mundo , 19 October 2011. RTVE, "Muere la pintora María Moreno a los 87 años", 17 February 2020. TEJEDOR, Concha. “Un documental recupera a la pintora María Moreno, la “luz” de Antonio López." EFE , 4 September 2015. TRENAS, Mila. “Genialidad, amistad y amor al arte unen a los "Realistas de Madrid." La Vanguardia , 3 February 2016. VALCÁRCEL, Marina “El realismo o el eterno presente.” ABC Cultural, no. 1226, 19 March 2016: 22-23. This is just a selection of a few articles devoted to María Moreno and her work. For further press references, consult the bibliography section in this website. Radio: RNE, El último tren, 16 June 2026

Updated and complete bibliography on the realist painter María Moreno. Bibliography of María Moreno The © copyright of the document belongs to the Studio of María Moreno. Any information extracted from this document must be quoted or acknowledged following international directions. To read the bibliography of María Moreno, see the image below and use the sidebar to scroll through the pages. The María Moreno Studio has donated the artist’s complete press dossier to the Library of the Reina Sofía National Art Museum in Madrid, to make it more accessible to researchers and the general public. This dossier comprises the complete bibliographies on Antonio López and María Moreno, as well as digitised press cuttings spanning from the start of their careers to the present day. The museum’s Library and Documentation Centre has set up a dedicated terminal for consulting the material in its reading room. To access the library, you must obtain a general user card, which anyone can request in the entrance hall or apply for in advance via the following link.

Web de la pintora María Moreno, que ha cultivado la pintura realista durante toda su trayectoria. Perteneciente a los llamados "Realistas de Madrid", con quienes ha compartido amistad e inquietudes artísticas: Antonio López, Isabel Quintanilla, Francisco López, Julio López, Amalia Avia y Esperanza Parada This website and the images of the works of Antonio López and María Moreno included therein are owned by their respective authors. Reproduction, distribution, public communication, making available to the public, transformation or any other act of exploitation of this website and its images, as well as the inclusion of hyperlinks to the website, if they are not limited solely to access to its main page, are strictly forbidden. For the reproduction, distribution, public communication, making them available to the public or any other act of exploitation of the works of Antonio López or of María Moreno it is necessary to address previously to the Visual Entity of Management of Plastic Artists, VEGAP (www .vegap.es) to obtain the required license This website only collects data to analyze the use of our website by visitors. This website uses Google Analytics, a web analysis service provided by Google Inc., located in Delaware at 1600 Amphitheater Parkway, Mountain View (California), CA 94043, United States. The information generated by the cookie about your use of the website (including your IP address) will be directly transmitted and stored by Google on its servers in the United States. Google will use this information on our behalf for the purpose of knowing your use of the website, compiling reports on the activity and providing other services related to the activity of the web and the use of the Internet. Google may transmit such information to third parties when permitted by law, or when such third parties process the information on behalf of Google. Google will not associate your IP address with any other data held by Google. By using this website you consent to the processing of information by Google in the manner and for the purposes indicated above. By clicking "ACEPTO", you accept the use of these cookies, unless you decide to deactivate them. Please note that if you delete or disable our cookies you may experience interruptions or limitations in the functionality of certain areas of the website. I Agree

Photographic report of the exhibition that the Bancaja Foundation of Valencia dedicated to Antonio López and María Moreno from September 2020 to February 2021. . Exhibition at the Bancaja Foundation in Valencia. Photo Report The photographic report commissioned by the Studio of María Moreno and Antonio López to the UMFotografía studio, shows the rooms of the retrospective exhibition "Antonio López" that took place at the Bancaja Foundation in Valencia between September 24, 2020 and February 28, 2021. The exhibition dedicated two rooms to show a careful selection of work by María Moreno in which her career was traversed through different periods, as well as themes. It was the first time that this couple of artists exhibited jointly without the work of other creators.

It contains a video about the life and work of the realist painter María Moreno, as well as her chrono-biography and a brief biography. Chrono-biography Biografía Contact Chronobiography Chronology Maria Moreno This video narrates in images the personal and artistic life of María Moreno. Video Web María Moreno Play Video Facebook Twitter Pinterest Tumblr Copy Link Link Copied Chrono-biography Born in Madrid in 1933 Born in Madrid in 1933 Began her Fine Art studies in 1954 Although she spent some years in Valencia during her childhood, coinciding with the Civil War, which brought her in touch with a world of light and joy, thanks to hercontact with nature and the sea that caused an indelible mark on her. During her teens she was an avid reader and frequented museums in the capital. After spending some time at the School of Arts and Crafts in Madrid, she passed the entrance exam to the School of Fine Arts of San Fernando, where she studied painting. Fine Art Studies 1957 During the years 1958 and 1960 she taught drawing classes In the summer of 1957, coinciding with her training, María travels to Paris to satisfy her artistic curiosity, visiting museums and seeing paintings. It will be precisely where she will make her self-portrait. At the beginning of her career, she dedicates herself to teaching, before even concluding her studies in Fine Arts, teaching drawing classes. Task that began in the Institute Filial of Isabel the Catholic of Madrid, where taught between 1958 and 1960. The end of the Studies 1959 In the environment of the San Fernando School she gets to know or deepens the friendship with several students of Fine Arts who later became artists with important careers: Isabel Quintanilla, Esperanza Parada, Julio López, Francisco López, Lucio Muñoz, Enrique Gran, Joaquín Ramo and Antonio López. She will finish her studies in 1959. Marries the artist Antonio López 1961 With him she will have two daughters, María and Carmen. They will be partners of life and trade, assuming great mutual support in the development of their careers. 1966 Her first solo exhibition took place at the Edurne Gallery It shows a set of intimate works, in which she represents spaces of her environment, which is dominated by gloomy and collected interiors. First Solo Exhibition Returned to teaching 1966-69 Between 1966 and 1969, she returned to teach at two institutions of Alcala de Henares: the National Institute for Media Education and Labor University. She combined this work with her own artistic production. The influence of Antonio López Torres The painter Antonio López Torres (1902-1987), uncle of her husband, had a great impact on the work of María Moreno; both in her openness to light and in the change of her palette to warmer and clearer colors. With him they had continued contact since the sixties, both her husband and her, as well as the marriage of artists formed by Isabel Quintanilla and Francisco López. In the sixties disclosed her work at the national level Con Antonio López Torres ©Foto Moses Con Antonio López Torres ©Foto Moses During the sixties, when art galleries proliferate in Spain, it is when she begins to exhibit her work, which she previously kept for herself. In 1966 she showed her work in two Madrid venues: Juana Mordó and Edurne galleries, where she had her already mentioned first solo exhibition. 70s Her work is filled with light In 1973 she exhibited individually for the second time 1973 Her work was exhibited and sold during the seventies in several European countries, mainly in Germany, but also in France, the United Kingdom and Finland; as well as in the United States. María exhibited alone again, but this time outside Spain, in Frankfurt, when she was invited by the gallery owner Herbert Meyer-Ellinger, who had already exhibited the realists and thanks to the interest that the work and criticism had aroused among the German public and critics. of the so-called Realistas de Madrid. María Moreno en los lugares que le inspiraron Her works are filled with light From the late seventies her palette begins to clear and open to the light, gaining great prominence in her works. Participate in numerous group exhibitions in Spain since the 80s 1980 Since the early eighties, her work has been shown in several collective exhibitions, several of which dealt with realist art and some of the art made by women, such as Women in Spanish Art (1900-1984), organized at the Center Cultural Count Duke of Madrid. Executive producer of The Quince Tree Sun 1990-92 María is in charge of the executive production of Víctor Erice's film, El sol del membrillo, which portrays the creative process of Antonio López and in which María Moreno herself appears as one of the main characters. This film will win the prizes of the jury and critic of the Festival of Cannes of 1992, as well as other distinctions of several international festivals like the one of Chicago and the one of Uruguay. 1990 She presents her work in an individual exhibition at the Claude Bernard Gallery The 90s represent her consolidation as an artist, thanks to her taking part in numerous group shows and, especially, for her solo show at the Galerie Claude Bernard in Paris, which is committed to her work and thus expands its international support. Otra realidad, Compañeros en Madrid exhibition, 1992 90s Among the exhibitions of which she took part, it highlights the travelling show Otra realidad, Compañeros en Madrid, which started in January 1992 at the Caja Madrid Foundation in the capital; since it served to place the group of figurative and abstract artists who met at the School of Fine Arts of San Fernando in the fifties and who were joined by bonds of friendship. This group was composed of Isabel Quintanilla, Julio and Francisco López Hernández, Esperanza Parada, Enrique Gran, Lucio Muñoz, Joaquín Ramo, Antonio López and María Moreno. During that decade she participated in important exhibitions both nationally and internationally that will give greater visibility to the realistic figurative art she practiced together with other friends: Otra Realidad, Compañeros en Madrid, Fundación Caja Madrid (1992); Contemporary Spanish Artists, Marlborough Fine Art, Tokyo (1992); From the Reality / Dalla Realtà - Quatro Artisti Spagnoli Contemporanei. Antonio López, Isabel Quintanilla, María Moreno, Francisco López, Accademia Spagnola di Storia, Archeologia e Belle Arti, Rome (1996); Contemporary Spanish Realists, Marlborough Fine Art, London (1996); Autour de la réalité: réalismes espagnols, Galerie Lina Davidov, Paris (1996). 2000s She continues to participate in collective exhibitions, having special relevance those that take place from 2005 and that highlight her work together with that of her realistic companions, such as Pinceladas de Realidad. Amalia Avia, María Moreno, Isabel Quintanilla (2005), Museum of Fine Arts of La Coruña. As well as others that delved into the group of realists in all its extension as Realidad, arte spagnola della realtà , Galleria Civica di Palazzo Loffredo, Potenza (2006-2007). Teaches workshops She takes up teaching and teaches some courses, such as the "Francisco de Goya Chair" at the Los Serrano Palace in Ávila. Teaches workshops 2016 Realistas de Madrid was inaugurated in 2016, a show organized by the Thyssen-Bornemisza Museum in Madrid that has revived the interest in the work of the group of friends and colleagues who since the fifties of the last century have dedicated themselves to figurative art: Esperanza Parada , Amalia Avia, Julio and Francisco López, Isabel Quintanilla, María Moreno and Antonio López. 2020 At the exhibition “Antonio López”, held at the Fundación Bancaja in Valencia from 24 September 2020 to 28 February 2021 and curated by Tomás Llorens, two exhibition rooms were dedicated to a notable selection of works by María Moreno. She died on 17 February 2020 in Madrid at age 86. 2021 On the occasion of what would have been his 87th birthday, this video was made in his memory, as a small tribute. Biografía Biography María Moreno (Madrid,1933-2020) From a young age, she felt a strong sense of vocation for the arts and an interest in literature and music, which provided her with a rich inner world. She trained at the School of Fine Arts of San Fernando in Madrid, which she entered in 1954 to study Fine Arts, specializing in painting. This period marked her for life, not only professionally but also personally. There she met her friends and fellow artists Antonio López, Isabel Quintanilla, Amalia Avia, Julio and Francisco Hernandez López and Lucio Muñoz (who soon shifted from figuration to abstraction, although he never abandoned the bond with the group). The work of these artists has been labelled with different names: Madrilenian realism, Madrilenian figuration, or Realists artists of Madrid, among others. María Moreno married Antonio López in 1961 and began a long creative career. Although both have sometimes felt an interest in the same motifs, which they have approached from closeness and observation of reality, working from nature, each of them has developed their work individually, achieving their own style and vision. Since the seventies of the last century, the work of María Moreno began to be exhibited and became part of several international collections. The exhibitions held since in Germany and the UK dedicated to the group of artists who devoted themselves to the New Figuration in Madrid at the time had a great impact. Her solo exhibitions have been less numerous but have had a major impact on the knowledge of her work by national and international collectors. In 1973 she exhibited at the gallery of Herbert Meyer-Ellinger in Frankfurt, who also organized several relevant shows dedicated to the Spanish realism practiced by María and some of her colleagues. In 1990, the Parisian gallery owner Claude Bernard convinced the painter to exhibit in his gallery almost all the paintings and drawings made during those years; achieving a brilliant exhibition with which it obtained an important recognition. In recent years, her work has been part of several group shows, being especially significant the one held in 1992 at the Royal Academy of Madrid, Otra realidad. Compañeros en Madrid (Another Reality. Partners in Madrid), as well as the recent Realistas de Madrid (Realists of Madrid) held at the Thyssen-Bornemisza Museum (February-May 2016). The first was key in the understanding of the Madrilenian figuration that emerged in the fifties within the context of the art that was done by other contemporaries and colleagues; while the latter has offered the opportunity to put the work of these artists into perspective after having developed lengthy careers. Another key exhibition, held posthumously, was the one dedicated to Antonio López at the Fundación Bancaja in Valencia (September 2020–February 2021), in which two rooms were set aside for María Moreno to display a curated selection of her finest works. In June 2026, the Museum of Contemporary Spanish Realism in Almería (MUREC) presented her first retrospective exhibition, featuring a wide selection of paintings and drawings spanning her entire career and themes. The subjects of her works, which are always intimately linked to her and her living space, encompass landscapes, in which Madrid has a prominent place, but also of La Mancha; portraits of people from her environment from her first years; interiors, which have been present since the beginning of her career; a few still lifes; gardens and flowers, for which she developed a special predilection from the nineties. In addition to numerous private collections, her work is held by the following public collections: Fundació Sorigué, Lérida; Artium, Vitoria; Museum of Contemporary Art of Toledo; Iberdrola Collection, Bilbao; Colección BBVA, Madrid; Kupferstichkabinett, Kunsthalle, Hamburg. She died on February 17, 2020 in Madrid at age 86. BHC Contact CONTACT Email : estudioantoniolopez@gmail.com NOTICE : This is an email of the studio team for professional purposes, only for technical and work issues.

Link to the RTVE documentary about María Moreno, La luz de Antonio. Documentary: La luz de Antonio Documentary: La luz de Antonio Documentary: La luz de Antonio Documentary: La luz de Antonio Visit the website of RTVE to watch the documentary devoted to María Moreno and her work by the Spanish TV program Crónicas in June 2015. ACCESS

Video tribute to the painter María Moreno on the first anniversary of her death. Home Tribute Video Text TRIBUTE TO MARÍA MORENO Tribute Video This video has been deleted. Facebook Twitter Pinterest Tumblr Copy Link Link Copied Text The painter María Moreno (May 14, 1933, Madrid) passed away in Madrid on the morning of February 17, 2020 at the age of 86. Trained at the San Fernando School of Fine Arts in Madrid (1954-59), she became a drawing teacher herself during the 1960s. Task that she would leave to devote herself to her artistic creation. She shared her formative years and early career with a group of artists dedicated to depicting reality, with whom she created bonds of friendship that have been lasting over time. Among these Madrid Realists, a name used by critics, were Isabel Quintanilla, Esperanza Parada, Amalia Avia, Francisco and Julio López, as well as her life partner, Antonio López. With him she has shared her artistic concerns, sharing mutual and indispensable support for the progress of their careers. The admiration between them has been a constant. They formed a family with two daughters, María and Carmen, of which María Moreno has been a fundamental pillar. Although her individual exhibitions have not been as numerous as the group shows, due, in part, to the fact that it was not a possibility that she contemplated with great interest; they have been essential for her work to be known and admired by both national and international collectors. To her artistic side we must add that of artistic management, which has been essential for the realization of different creative projects of the couple; including what is one of the most important films on the international film scene dedicated to artistic creation: The Quince Tree Sun , by Víctor Erice. María took over the executive production and, thanks to her determination, the filming of the tape was completed. She was an artist of great sensitivity, who knew not only how to capture reality, but also how to add her emotion and sensitive gaze. She dedicated her talent to paint and draw those subjects that most seduced her, such as the bright landscapes of La Mancha and Madrid, but also her home and garden, as well as flowers and some brilliant still lifes; leaving works of great personal imprint. Her approach to colour and light was progressive, but once she opened her work to light, she would no longer abandoned it. BHC

This section provides a journey through the life of the painter María Moreno by looking at an album of personal photos from various periods. Personal photos Click on the photo to open the album.

A section of painter María Moreno’s website dedicated to the artist’s first retrospective exhibition at the Museum of Contemporary Spanish Realism (MUREC) in Almería in 2026. It features images and videos from the exhibition, as well as a brief description of it. A Retrospective of María Moreno’s Work The Museum of Contemporary Spanish Realism (MUREC) in Almería is presenting the first retrospective exhibition dedicated to María Moreno. For the first time, visitors will be able to view a wide selection of 69 of her works, which showcase her contribution to contemporary realism. More info The exhibition brings together both drawings and paintings, most of which are on display in the temporary exhibition gallery, whilst a few are in the gallery dedicated to Madrid Realism. Whilst the first gallery traces María’s career and her evolution from a darker style of painting towards one full of light from the 1970s onwards, the second allows visitors to appreciate her work within the context of her generation and the group of friends who practised figurative art. The works on display include pieces from foreign collections that have never before been seen in Spain, as well as several from both private and institutional collections in Spain. To complement the exhibition, a small selection of works by Antonio López in which María Moreno features prominently is on display in another space, where visitors can also watch a short documentary. The exhibition will run from 12 June to 4 October 2026.

Information about the exhibitions that show María Moreno's work. Exhibitions Exhibitions List Exhibitions Exhibitions ‘MARÍA MORENO, TOWARDS THE ESSENCE OF LIGT’, THE FIRST RETROSPECTIVE SHOW OF THE PAINTERMARÍA MORENO The Museum of Contemporary Spanish Realism (MUREC) in Almería is dedicating its first retrospective exhibition to María Moreno. Through a selection of eighty works, visitors can trace her entire career, from her early days to her latest pieces. The exhibition includes both drawings and paintings, the two artistic media she employed throughout her career. As you walk through the exhibition, you can see how María moved from creating dark works to embracing light, which is particularly striking in her views of streets and gardens. Several works from foreign collections, which are among her finest pieces, are being shown in Spain for the first time. The exhibition offers the opportunity to see her artistic development, as well as a small selection of works by her husband, the artist Antonio López, featuring her. It will be open from 12 June until 4 October 2026. MORE INFO `HARMONY OF CULTURES: WHERE SPANISH AND CHINESE ART MEET´ SHOWN AT THE SAN MARCOS CENTRE, TOLEDO On May 20, the San Marcos Cultural Center will open the exhibition “Harmony of Cultures: Where Spanish and Chinese Art Meet.” The group exhibition will bring together works by contemporary figurative artists from both countries. Among the Spanish artists are leading figures in contemporary realism, such as Antonio López, María Moreno, Francisco López, Isabel Quintanilla, Julio López, and Carmen Laffón. The exhibition, organized by the Toledo City Council in collaboration with the Central Academy of Fine Arts in Beijing (CAFA) and the Association for the Promotion and Artistic Exchange between Spain and China (APIAEC), will be open to the public through June 30, 2026. Click her e to see some photos of the exhibition and its opening. MORE INFO EXHIBITION AT THE BILBAO MUSEUM OF FINE ARTS: PARALLELS AND MERIDIANS. THE IBERDROLA COLLECTION The Bilbao Fine Arts Museum presents a wide selection of contemporary works from Iberdrola’s collection, ‘Paralelos y Meridianos’, in an exhibition bearing the same title. As well as marking the company’s 125th anniversary, this exhibition offers an opportunity to explore the consistent evolution of this collection, which the group has been building up for over twenty years. The exhibition features a selection of 138 contemporary pieces from the 400 that make up the collection. Among the 138 selected works is María Moreno’s painting, Jardín de Poniente 3, from the year 2000. The exhibition begins with two views of Bilbao, still in progress, which Antonio López is painting from the Iberdrola Tower in Bilbao. The exhibition will be open from 29 April to 30 August 2026. For further information, please visit the exhibition website via this link . MORE INFO "LIGHT, SPACE AND TIME. ANTONIO LÓPEZ TORRES, MARÍA MORENO BLASCO AND ANTONIO LÓPEZ GARCÍA" AT THE LES BERNARDES CULTURAL CENTRE, GIRONA On the 13th of February, the Casa de Cultura Les Bernardes in Gerona will open a collective exhibition bringing together the work of three artists from the same family: Antonio López Torres, María Moreno and Antonio López. The exhibition will feature works that explore the themes of light, space and atmosphere. A selection of carefully chosen pieces will be on display, including several recent paintings and sculptures by Antonio López. The exhibition will also feature elements that add a more experimental dimension to certain areas of the display. The exhibition will be open until 16 May 2026. For more information, visit the gallery's website by clicking here. MORE INFO "INFINITA REALIDAD" AT THE PEDRO TORRECILLA EXHIBITION HALL IN BURGOS A new exhibition dedicated to the Spanish figuration developed in Madrid since the late 1950s has been presented at the Pedro Torrecilla Exhibition Hall in Burgos. It has been jointly organised by Ibercaja Banco and Fundación Círculo Burgos, under the direction of the curator María Toral. Most of the ten artists represented in the exhibition are those known by critics as the “Realists of Madrid”: Isabel Quintanilla, Amalia Avia, María Moreno, Esperanza Parada, Francisco López, Julio López and Antonio López. They have been accompanied by other artists who also trained at the same time and who have practised figuration, in different ways, during their careers: Carmen Laffón, José Hernández and Cristóbal Toral. Among the selection of forty-seven pieces, five paintings by María Moreno from her later years can be seen. Some of her most recurrent themes are included: two still lifes, a garden and two oil paintings of flowers. All of them within her palette of varied and luminous tones. In these works, the role of light on the elements represented is of great importance. The exhibition will be open to the public from 13 September to 10 November 2024. MORE INFO CONTEMPORARY CHINESE AND SPANISH FIGURATIVE PAINTING. EXHIBITION AT QUAN SHANSHI ART CENTER, HANGZHOU, CHINA Continuing with the Spanish-Chinese collaboration that began last year in the travelling exhibition that showed contemporary figuration from both countries, an exhibition along the same lines can be seen at the Royal Palace of Madrid. Between April 13 and May 26, you can visit this exhibition that, in addition to showing works by some of the representatives of Madrid Realism, including Antonio López and María Moreno, as well as contemporary Spanish artists, you can enjoy a parallel journey through Chinese figuration from the oldest generations to the current ones. For more information, visit the exhibition link by clicking below. MORE INFO CONTEMPORARY CHINESE AND SPANISH FIGURATIVE PAINTING. EXHIBITION AT QUAN SHANSHI ART CENTER, HANGZHOU, CHINA From November 29, 2023 to March 31, 2024, an exhibition of reproductions of works can be seen in the hall of the Shanghai Middle Longhua subway station at exits 1 and 2 of the station (lines 7 and 12). significant works of Antonio López and several Spanish realist painters of his and subsequent generations. These artists are: Miguel Ángel Argüello, Amalia Avia, Francisco López, José María Mezquita, María Moreno, Isabel Quintanilla and Julio Vaquero. The exhibition "Antonio López and the masters of Spanish realism" is co-organized by the Cervantes Institute, the Spanish Embassy in the PR. China and the Spanish Agency for International Development Cooperation, with the collaboration of Turespaña, the advice of the Thyssen-Bornemisza National Museum in Madrid and the Antonio López and María Moreno Studio and the support of the Shanghai Metro and the Friendship Association. For more information visit the following link by clicking here. MORE INFO Exhibitions List Exhibitions List EXHIBITIONS OF MARÍA MORENO Solo Exhibitions: 1966 María Moreno . Galería Edurne, Madrid, 23 April–7 May. 1973 María Moreno. Ölbilder Zeichnungen . Galerie Herbert Meyer-Ellinger, Frankfurt. 1990 María Moreno. Peintures et dessins. Galerie Claude Bernard, Paris. 2026 María Moreno. Hacia la esencia de la Luz. Museo del Realismo Español Contemporáneo (MUREC), Almería, 12 June-4 October. Group Shows: 1962 Exposición Nacional de Bellas Artes. Palacio del Retiro, Madrid. 1963 Exposición Concurso Nacional . Badajoz. Concurso Nacional de Castellón . Joven Figuración en España . Organized by Madrid Atheneum in the Ancient Hospital of Santa Cruz, Barcelona. 1964 Exposición Nacional de Bellas Artes . Palacio del Retiro, Madrid. 1965 Exposición Concursos Nacionales . Madrid. 1966 2026 María Moreno. Hacia la esencia de la Luz. Museo del realismo español contemporáneo (MUREC), Almería, 12 June-4 October. Exposición Colectiva . Galería Juana Mordó, Madrid. 1968 25 pintoras actuales. Galería El Bosco, Madrid, 11–29 January. 1969 Exposición Concursos Nacionales 1969. Dirección General de Bellas Artes, Ministerio de Educación y Ciencia, Museo de Arte Contemporáneo, Madrid. 1970 Magischer Realismus in Spanien heute. Frankfurter Kunstkabinett Hanna Bekker vom Rath, Frankfurt; Galerie Buchholz, Munich, September–October; Galerie Buchholz, Munich, November–December. 1971 Exposición Colectiva. Librería Machado, Madrid. 1972 Pintura femenina española. Palacio de Exposiciones y Congresos, Madrid. Art’72. Kunstmesse, Basilea. 1973 Art 4 ’73. Basel Internationale Kunstmesse, Basilea, Galerie Herbert Meyer-Ellinger, June. Contemporary Spanish Realists. Marlborough Fine Art, London, September–October. 1974 Ars 74 . Art Museum of the Ateneum, Helsinki. Drawings by Ten Contemporary Spanish Artists. Marlborough Gallery, New York. Mujeres ante el Arte. Galería Iolas-Velasco, Madrid. El realismo hoy. Galería Val i 30, Valencia. 1975 Spanische Realisten. Galerie Kornfeld, Zurich, October–November. Amalia Avia, Julio L. Hernández, Carmen Laffón, Francisco López, Antonio López García, Antonio López Torres, María Moreno, Isabel Quintanilla . Galería Juana de Aizpuru, Seville, April–May. Realismus + Realität. Institut Mathildenhöhe, Kunsthalle, Darmstadt. La Mujer en la Cultura Actual. Palacio de Fuensalida, Toledo. Exposición inaugural. Museo de Arte Contemporáneo de Toledo, Casa de las Cadenas, Toledo. 1976 Pintores manchegos. Banco de Santander, Ciudad Real. Fünf Spanische Realisten . Kunsthalle Baden-Baden, Frankfurt. Einblicke–Ausblicke. Fensterbilder von der Romentik bis heute. Städtische Kunsthalle Recklinghausen. 1977 Realität, Hiperrealität, Irrealität. Documenta 6, Kassel. Spanische Realisten. María Moreno, Antonio López Garcia, Isabel Quintanilla, Francisco López. Galerie Brockstedt, Hamburg. 1978 10 Kunst-und Antiquitäten-Messe Hannover. Galerie und Orangerie, Hannover-Herrenhausen, April. Als guter Realist muss ich alles erfinden: internationaler Realismus heute. Kunstverein and Kunsthaus Hamburg, Kunstverein and Kunsthaus, Hamburg, 4 Nov. 1978-7 January 1979; Badischer Kunstverein de Karlsruhe, 21 January-4 March, 1979. 1979 Fiac 79 . Galerie Negru, Paris. 1980 Spanische Realisten. María Moreno, Antonio López Garcia, Isabel Quintanilla, Francisco López. Kunstverein Braunschweig Haus Salve Hospes. Braunschweig, Germany. 1981 Realismo en España . Aula de Artes Plásticas de la Universidad Complutense, Madrid. El dibuix. Sala Pelaires, Palma de Mallorca. 1982 I pittori spagnoli della realtà. Centro d’Arte Montebello, Milan. Arco’82. Galería Leandro Navarro, Madrid. 1983 Arco’83. Galería Leandro Navarro, Madrid. Realidades . Institución Cultural El Brocense, Diputación Provincial, Cáceres, May. El dibujo una realidad. Galería Heller, Madrid, July–September. 1984 Mujeres en el Arte Español (1900-1984). Centro Cultural Conde Duque, Ayto. de Madrid, Madrid. Realistes à Madrid. Saló del Tinell, Departament de Cultura de Catalunya, Barcelona, February. Arte Español en el Congreso. Congreso de los Diputados, Madrid. Resurrección de la naturaleza muerta . Galería Heller, Madrid. Europaïsche Ansichten . Batig, Hamburgo, 20 September -23 November. 1985 Figuras y figuraciones . Galería Juan Gris, Madrid. 1986 7 Spanish Realists . Claude Bernard Gallery, New York, May–June. 1987 Naturalezas Españolas (1940-1987). Centro de Arte Reina Sofía, Madrid, November 1987–January 1988. 1988 Realismo y Figuración . Fundación Rodríguez Acosta, Granada, June–July. 1990 El espacio privado. Cinco siglos en veinte palabras. Centro Nacional de Exposiciones, Sala Julio González, Ministerio de Cultura, Madrid. 1991 Realismo español. Dos generaciones . Galería Leandro Navarro, Madrid. Realismos, Arte Contemporáneo Español. Asahi Shimbun (Org.), Nihonbashi Takashimaya, Tokyo. Roaming exhibition: Osaka, Kyoto, Yokohama. Visiones de Madrid. Real Academia de Bellas Artes de San Fernando, Madrid, May–June. Homenaje a Ortega. Galería de arte Villanueva, Madrid, April–May. 1992 Otra realidad, compañeros en Madrid. Fundación Caja Madrid (January–February). Roaming Exhibition: Fund. M. Botín, Santander (July–August); Centro de Exp. y Congresos, Zaragoza (September–October). Contemporary Spanish Artists . Marlborough Fine Art, Tokyo, November–December. Madrid pintado. Museo Municipal, Madrid. Artistas en Madrid. Pabellón de la Comunidad de Madrid, Expo’92, Seville. Jardín de vidrio. Bodegones y flores en realidad. Galería Leandro Navarro, Madrid, December 1992–January 1993. APROARTE . Galería Leandro Navarro, Barcelona. 1994 Realismos. Centro Cultural Conde Duque, City Council of Madrid. Arte en dos. Galería Leandro Navarro, Madrid, December 1994–January 1995. Antonio López García. Proceso de un trabajo. Fundación FOCUS, Seville, November 1994–January 1995. Exposición Homenaje a López Torres . Galería Arteta, Madrid. 1995 Artistas de la Galería Malborough. Kiosko Alfonso, La Coruña. Realismo español entre dos milenios. Sala de la Pasión, Valladolid (May–June). Roaming Exhibition: Sala de Armas, Ciudadela, Pamplona (June–July); Fundación Caja Rioja, Logroño (September—October); Palacio Almudí, Murcia; Casal Sollería, Palma de Mallorca (February–March 1996). 1996 Desde la Realidad / Dalla Realtà – Quatro Artisti Spagnoli Contemporanei. Antonio López, Isabel Quintanilla, María Moreno, Francisco López. Accademia Spagnola di Storia, Archeologia e Belle Arti, Rome. Sensibilidades . Galería Leandro Navarro, Madrid, February–April. Contemporary Spanish Realists. Marlborough Fine Art, London, June–August. Autour de la reálité: réalismes espagnols. Galerie Lina Davidov, Paris. 25 años . Galería Leandro Navarro, Madrid, October–December. 1997 El realismo en sus raíces. Centro Cultural Caixavigo, Vigo. Nuevo Realismo . Artis Galería, Salamanca, 6-31 March. 1998 Paisajes de un siglo. Fundación Caja Vital Kutxa, Vitoria. 1999 Interiores. Visiones íntimas de un siglo. Centro Cultural Caixavigo, Vigo. Roaming Exhibition: La Coruña, Lugo, Ourense. Mirar Madrid . Casa de Vacas, City Council of Madrid, Madrid. 2000 Rosas para el 2000 . Galería Leandro Navarro, Madrid. 2002 Nuovo Realismo Spagnolo . Galleria Narieschi, Milan. Luz de la mirada . Museo de Arte Contemporáneo Esteban Vicente, Segovia, 2002–2003. 2003 Arte axuda Galicia. Fundación Fexdega, Vilagarcía de Arousa. Roaming Exhibition: Vigo, Ourense, San Sebastián, Santiago de Compostela, Pontevedra. 2004 Visiones de la realidad. Caja Vital Kutxa, Vitoria. 2005 Pinceladas de Realidad. Amalia Avia, María Moreno, Isabel Quintanilla . Museo de Belas Artes da Coruña, Xunta de Galicia, La Coruña. 2006 Realidad, arte spagnola della realtà. Galleria Civica di Palazzo Loffredo, Potenza, Largo Pignatari, 2006–2007. Realidades de la realidad. Ajuntament de Valencia and Caja Castilla La Mancha, Museo de la Ciudad de Valencia. 2007 Im licht der wirklichkeit, Zeitgenössischer realismus in Spanien. Panorama Museum, Bad Frankenhausen. 2008 Cincuenta años después. Galería Leandro Navarro, Madrid, 2008–2009. La feminidad en el arte . Fundación Caja Castellón-Bancaja, Sala Bancaja San Miguel. Creadoras del Siglo XX. Espacio Cultural Caja Canarias, Santa Cruz de Tenerife, June–August. Realidades de la realidad. Caja de Extremadura Obra Social, Museo Provincial de Bellas Artes, Badajoz; Convento de San Francisco, Plasencia; Palacio de Mayoralgo, Cáceres, 2008–2009. 2009 Realidades de la realidad. Caja Duero, Salamanca. 2011 Realidades de la realidad . Fundación Caja Castellón-Bancaja, Sala Bancaja San Miguel, Castellón. 2014 Visiones de la realidad. CajaCanarias Fundación, Espacio Cultural Caja Canarias, Santa Cruz de Tenerife. Selección Alumnos Talleres Cátedra Francisco de Goya y sus maestros . Fundación Caja de Ávila, Palacio Los Serrano. De Picasso a Barceló . Galería CCPUCP, Lima, Perú, 2014–2015. 2015 Ellas. Creadoras de los siglos XX y XXI. CAC, Vélez-Málaga, March–April. Gorputz Eta Arima XX. Eta XXI. Mendeetako emakume artistak / En cuerpo y alma. Mujeres artistas de los siglos XX y XXI . Sala Jubo-Kutxa Aretoa, San Sebastián, 19 June–27 September. 2016 Realistas de Madrid. Museo Thyssen-Bornemisza, Madrid, 9 February–22 May. Realismo en España 50 años . Sala Baluarte, Centro Cultural Adolfo Suárez, 8 April–16 June. A la mesa. Bodegones en el arte. Museo de Santa Cruz de Toledo. 4 May–4 September. 30 Aniversario. Galería Ansorena, Madrid, 15 September–28 October. Impresiones sobre Noches en los jardines de España . Fundación Caja Rural Granada, Sala Zaida, Granada, 10 November–10 December. 2017 Realistas . Patio Herreriano, Valladolid, 19 January-26 March. Bodegones en el arte . Sala Fundación Vital, Vitoria, 1 June-17 September. La apariencia de lo real. Museo Carmen Thyssen, Málaga, 6 April-10 September. Realidad interpretada. Centro de Arte Tomás y Valiente, Fuenlabrada, 21 September-5 November. La poética de la abstracción y la figuración . Instituto Cervantes, Praga, 9 November 2017-10 February 2018 2018 La poética de la abstracción y la figuración. Rossiyskaya Academia Khudozhestv, Moscow, 30 March-20 August. Seducidos por la realidad . DA2 Domus Artium, Salamanca, 20 September 2018-6 January 2019. La poética de la abstracción y la figuración. Instituto Cervantes, Roma, 26 September-12 January 2019. Bodegones en el arte. Engaño y primor en la pintura . Sala Las Claras, Murcia, 4 October-25 November. 2019 La poética entre abstracción y figuración . Arte español en los años 50 y 60. Instituto Cervantes, Lisbon, 19 February-19 April. Seducidos por la realidad. Centro Cultural Las Claras, Murcia, 17 May-7 July. La poética entre abstracción y figuración. Arte español en los años 50 y 60. Instituto Cervantes, New York, 25 July-3 September. 2020 Transformaciones. Mujeres artistas entre dos siglos. Fundación CajaCanarias, Tenerife, 28 January-28 March. Antonio López. Fundación Bancaja, Valencia, 24 September 2020-24 January 2021, extended until February 28, 2021. 2022 Infinita realidad. Museo Goya, Zaragoza, 21 June-18 September. La Colección Ernesto Wuthenow. Galería Leandro Navarro, Madrid, 10 November 2022-5 January 2023. 2023 Infancia. Antonio López. ARCO-El Corte Inglés, El Corte Inglés’ Preciados Street Building (Shop Window) & Stand of El Corte Inglés at ARCO 2023 art fair, Madrid, 15-26 February. Antonio López. Modelo Old Prison, Barcelona, organized by the Gran Teatro Liceu de Barcelona, 23 March-10 April. Mimesis | Representational Art 2023. MEAM (Museo Europeo de Arte Moderno), Barcelona, 21 April-25 June. MACTO. Museo de Arte Contemporáneo de Toledo. Museum of Santa Cruz, Toledo, 2 July 2023-4 February 2024. Artistas y modelos. Historias de pasión, creación y destrucción. Fundación Canal, Madrid, 11 October 2023-5 January 2024. Pintura Figurativa Contemporánea China y Española. Quan Shanshi Art Centre, Hangzhou, China, 8-28 November 2023; National Grand Theatre, Beijing, China, 5 December 2023-5 January 2024. 2024 El realismo íntimo de Isabel Quintanilla . Museo Nacional Thyssen-Bornemisza, Madrid. 27 February-2 June 2024. Más allá del realismo: arte figurativo de China y España. Palacio Real. Madrid, 13 April-26 May 2024. Infinita realidad. Sala de exposiciones Pedro Torrecilla, Burgos, 12 September-10 November. 2025 Desvelar la realidad. Mirador del Carmen, Estepona, 28 March-20 July. La realidad del arte. Fundación Mercedes Calles, Cáceres, 6 August-2 November. Bodegón | La eternidad de lo inerte. Sala Caja Granada, Granada, 9 October 2025-11 January 2026. 2026 Llum, espai i temps. Antonio López Torres, María Moreno Blasco i Antonio López García (Light, space and time. Antonio López Torres, María Moreno Blasco and Antonio López García). Les Bernardes Cultural Centre, Salt, Girona, 13 March–16 May. Paralelos y meridianos. Parallels and meridians. Colección Iberdrola. Museum of Fine Arts, Bilbao, 29 April-30 August. Armonía de Culturas, donde el arte de España y China se encuentran. Centro Cultural San Marcos, Toledo, 20 May-30 June. [May, 2026] Pie de página

Images and video about the tribute dedicated to the painter María Moreno at the Art Gallery against oblivion in Boadilla de Rioseco. Tribute to María Moreno in the Art Gallery Against Oblivion in Boadilla de Rioseco

On this tab, you will find photos of relevant exhibitions and events regarding María Moreno and her work. Photos of Exhibitions and Events Two views by Antonio López: Antonio López: Bilbao from the Iberdrola Tower 1, 2015 (in progress), oil on canvas, 195 x 244 cm, and Bilbao from the Iberdrola Tower 2, 2016 (in progress), oil on canvas, 195 x 244 cm. Entrance to the exhibition ‘Parallels and Meridians: The Iberdrola Collection’ at the Bilbao Museum of Fine Arts. © Antonio López, VEGAP, Bilbao, 2026 ‘Parallels and Meridians’ Exhibition. The Iberdrola Collection at the Bilbao Museum of Fine Arts, 20 Candida Hofer, Museum für Volkerkunde Dresden I [Dresden Ethnographic Museum I], 1999; María Moreno, Jardín de Poniente, 2000; Dan Graham, Two-way Mirror Container, 1991. Iberdrola Collection. © Bequest of María Moreno, VEGAP, Bilbao, 2026. For the work of María Moreno. The María Moreno Gallery at the ‘Antonio López’ exhibition, F. Bancaja, Valencia, Bancaja © Legado María López, VEGAP, Valencia, 2020 Two views by Antonio López: Antonio López: Bilbao from the Iberdrola Tower 1, 2015 (in progress), oil on canvas, 195 x 244 cm, and Bilbao from the Iberdrola Tower 2, 2016 (in progress), oil on canvas, 195 x 244 cm. Entrance to the exhibition ‘Parallels and Meridians: The Iberdrola Collection’ at the Bilbao Museum of Fine Arts. © Antonio López, VEGAP, Bilbao, 2026 1/31